{"id":1678,"date":"2026-09-07T15:20:18","date_gmt":"2026-09-07T13:20:18","guid":{"rendered":"https:\/\/punturs.ch\/?post_type=case_study&#038;p=1678"},"modified":"2026-09-07T15:20:18","modified_gmt":"2026-09-07T13:20:18","slug":"raffaela-zenoni-exhibitions","status":"publish","type":"case_study","link":"https:\/\/punturs.ch\/en\/case_study\/raffaela-zenoni-exhibitions\/","title":{"rendered":"Raffaela Zenoni Exhibitions"},"content":{"rendered":"<div class=\"gmail_quote\">\n<div dir=\"ltr\">\n<div><\/div>\n<div>\n<ul>\n<li>\n<p><b>Frankfurt am Main (2018\u20132021):<\/b> Frankfurt became a central venue: here Zenoni exhibited <strong>\u201c<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.feuilletonfrankfurt.de\/2018\/11\/15\/raffaela-zenoni-le-quattro-stagioni\/\">Le quattro stagioni<\/a><\/span>\u201d<\/strong> (2018, inspired by Vivaldi\u2019s Four Seasons with intensely colored interpretations), followed by <strong>\u201cThe Other Ancestral Gallery\u201d<\/strong> (paintings and <strong>\u201cTalking Heads\u201d<\/strong> sculptures) at Design Offices. This was followed by the major solo exhibition <strong>\u201cMother Earth and Her Visitors\u201d<\/strong> (31 July \u2013 30 August 2020 at the <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/punturs.ch\/wp-content\/uploads\/2026\/03\/Montez-JournalFrankfurtJuni21.pdf\">Kunsthalle Familie Montez<\/a><\/span> \/ Kunstverein Familie Montez), with 32 works from the series <strong>\u201cThe Other Ancestral Gallery\u201d<\/strong>, <strong>\u201cThe Four Seasons\u201d<\/strong>, and <strong>\u201cMother Earth\u201d<\/strong>, plus 7 sculptures\/plaster figures.<\/p>\n<\/li>\n<li>\n<p><b>Berlin (2016\u20132020):<\/b> In Berlin, Zenoni established her presence in the city\u2019s art scene and in group exhibitions with the renowned Prof. Axel Venn and works by Willy Wiedmann. She presented works with Axel Venn at the <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/punturs.ch\/wp-content\/uploads\/2026\/03\/Plakat_Weihnachtsausstellung_3.pdf\"><b>Christmas Exhibition<\/b><\/a><\/span> (1\u201324 December 2016) in Berlin; in the exhibition <b>\u201c<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/punturs.ch\/wp-content\/uploads\/2026\/03\/Impuls1-Plakat-Finissage.pdf\">Impuls &#8211; 1<\/a><\/span>\u201d<\/b> from 15 May to 29 June 2018 with Axel Venn at the Turkish-German Business Association on Kurf\u00fcrstendamm in Berlin; in the <b>double exhibition \u201c<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/punturs.ch\/wp-content\/uploads\/2026\/03\/Impuls1-Plakat-Finissage.pdf\">Trilogy \u2013 Aspects . Appeals . Actions<\/a><\/span>\u201d<\/b> from 9 November 2019 to 18 January 2020 at Galerie Wiedmann in Stuttgart-Bad Cannstatt and at Atelier Kunstraum Berlin-Friedenau; and in the summer exhibition <b>\u201c3 Stationen Kunst e.V.\u201d<\/b> in Berlin-Friedenau (24 May \u2013 14 June 2019).<\/p>\n<\/li>\n<li>\n<p><b>Luxembourg (2014\u20132024):<\/b> In a double exhibition with the distinctive Swiss artist <b>Urs Jaeggi<\/b> (The Nomads), Raffaela Zenoni presented works from her series <b>\u201cThe Other Ancestral Gallery\u201d<\/b> from 24 October to 16 November 2014 at Abbaye Neum\u00fcnster in Luxembourg City. These works were also shown at the opera performance of <b>\u201cDon Giovanni\u201d<\/b>, a coproduction of <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/punturs.ch\/wp-content\/uploads\/2026\/03\/POSTER-senza-bordi-Frittoli.pdf\">Nei St\u00ebmmen Luxembourg<\/a><\/span> and Ticino Musica Lugano, on 15 November 2014, likewise at Neum\u00fcnster. Further paintings from \u201cThe Other Ancestral Gallery\u201d formed the opera backdrop for the <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/sequenda.lu\/don-pasquale\/\"><b>\u201cDon Pasquale\u201d<\/b><\/a><\/span> performance.<\/p>\n<\/li>\n<li>\n<p><b>Gauc\u00edn, Andalusia, Spain (since 2022):<\/b> As a permanent member of the artist group <strong>Art Gauc\u00edn<\/strong>, Zenoni regularly takes part in the <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/artgaucin.com\/en\/artists\/raffaela-zenoni\/\"><strong>Art Gauc\u00edn Open Studios<\/strong><\/a><\/span> (annually in late May \/ early June). In her house and studio on Calle Ca\u00f1amaque, filled with numerous artworks, she presents huge, explosively colorful paintings against a spectacular view.<\/p>\n<\/li>\n<li>\n<p><b>Zagreb, Croatia (2023):<\/b> Zagreb marked an international milestone: the solo exhibition <strong>\u201c<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/punturs.ch\/wp-content\/uploads\/2026\/03\/KatalogZagrebRaffaela-Zenoni-1-1.pdf\">The Other Ancestral Gallery \/ Die andere Ahnengalerie<\/a><\/span>\u201d<\/strong> (7 December 2023 \u2013 10 January 2024, Galerija Josip Ra\u010di\u0107, National Museum of Modern Art \/ NMMU), curated by the renowned Croatian curator Branko Franceschi, showed a selection of strong, colorful acrylic portraits on canvas as well as an anthropomorphic, monochrome sculpture \u2014 a first introduction of her work into the Croatian context. The event was also highlighted on the official agenda of the <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.eda.admin.ch\/countries\/croatia\/de\/home\/aktuell\/agenda.html\/content\/countries\/croatia\/de\/meta\/agenda\/2023\/ausstellung-raffaelazenoni\">Swiss Embassy in Croatia (FDFA)<\/a><\/span> \u2014 a discreet but clear indication of the cultural bridge-building taking place here, and a seamless continuation of the idea of art diplomacy.<\/p>\n<\/li>\n<li>\n<p><b>Split, Croatia (2024):<\/b> In Split there followed the solo exhibition <strong>\u201c<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/punturs.ch\/wp-content\/uploads\/2026\/03\/SplitEinladungskarteMai2024.jpg\">The Assembly \/ Die Versammlung \/ Saziv<\/a><\/span>\u201d<\/strong> from 2 May to 2 June 2024 across three floors of the Old City Hall \/ Museum of the City of Split, in cooperation with the Swiss Embassy in Croatia, again curated by Branko Franceschi. It combined portraits from <strong>\u201cThe Other Ancestral Gallery\u201d<\/strong> with sculptures from <strong>\u201cTalking Heads\u201d<\/strong> in the historic setting of the medieval town hall, thematically linking the past with contemporary reflection. This exhibition was also mentioned on the <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.eda.admin.ch\/countries\/croatia\/de\/home\/aktuell\/agenda.html\/content\/countries\/croatia\/de\/meta\/agenda\/2024\/exhibition-raffaelazenoni\">FDFA page of the Swiss Embassy<\/a><\/span> in Croatia \u2014 again a subtle but meaningful reference to the connection between contemporary art and diplomatic engagement.<\/p>\n<\/li>\n<li>\n<p><b>Altdorf, Switzerland (2024):<\/b> In her hometown, the premiere presentation of her first art novel <b>\u201cSleeping in the Mosaic\u201d<\/b> took place on 13 December 2024 at the Haus der Kunst Uri, with a reading by Swiss actor Werner Biermeier.<\/p>\n<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Frankfurt am Main (2018\u20132021): Frankfurt became a central venue: here Zenoni exhibited \u201cLe quattro stagioni\u201d (2018, inspired by Vivaldi\u2019s Four Seasons with intensely colored interpretations), followed by \u201cThe Other Ancestral Gallery\u201d (paintings and \u201cTalking Heads\u201d sculptures) at Design Offices. This was followed by the major solo exhibition \u201cMother Earth and Her Visitors\u201d (31 July \u2013 [&hellip;]<\/p>\n","protected":false},"featured_media":0,"parent":0,"template":"","meta":{"_acf_changed":false,"_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","_seopress_robots_follow":"","_seopress_robots_imageindex":"","_seopress_robots_snippet":"","_seopress_robots_primary_cat":"","_seopress_robots_breadcrumbs":"","_seopress_robots_freeze_modified_date":"","_seopress_robots_custom_modified_date":"","_seopress_robots_canonical":"","_seopress_social_fb_title":"","_seopress_social_fb_desc":"","_seopress_social_fb_img":"","_seopress_social_fb_img_attachment_id":0,"_seopress_social_fb_img_width":0,"_seopress_social_fb_img_height":0,"_seopress_social_twitter_title":"","_seopress_social_twitter_desc":"","_seopress_social_twitter_img":"","_seopress_social_twitter_img_attachment_id":0,"_seopress_social_twitter_img_width":0,"_seopress_social_twitter_img_height":0,"_seopress_redirections_value":"","_seopress_redirections_enabled":"","_seopress_redirections_enabled_regex":"","_seopress_redirections_logged_status":"","_seopress_redirections_param":"","_seopress_redirections_type":0,"_seopress_analysis_target_kw":""},"kategorie":[],"class_list":["post-1678","case_study","type-case_study","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/punturs.ch\/en\/wp-json\/wp\/v2\/case_study\/1678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/punturs.ch\/en\/wp-json\/wp\/v2\/case_study"}],"about":[{"href":"https:\/\/punturs.ch\/en\/wp-json\/wp\/v2\/types\/case_study"}],"wp:attachment":[{"href":"https:\/\/punturs.ch\/en\/wp-json\/wp\/v2\/media?parent=1678"}],"wp:term":[{"taxonomy":"kategorie","embeddable":true,"href":"https:\/\/punturs.ch\/en\/wp-json\/wp\/v2\/kategorie?post=1678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}